Classic Poetry Aloud

T Arnold read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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Dover Beach
by Matthew Arnold (1822 – 1888)

The sea is calm to-night.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand;
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the A gaean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The Sea of Faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.


Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.



First aired: 13 September 2007

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G Wither read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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The Lover’s Resolution by George Wither
by George Wither (1588-1667)

Shall I, wasting in despair,
Die because a woman 's fair?
Or make pale my cheeks with care
'Cause another's rosy are?
Be she fairer than the day,
Or the flow'ry meads in May,
If she think not well of me,
What care I how fair she be?
Shall my silly heart be pined
'Cause I see a woman kind?
Or a well disposed nature
Joined with a lovely feature?
Be she meeker, kinder, than
Turtle-dove or pelican,
If she be not so to me,
What care I how kind she be?

Shall a woman's virtues move
Me to perish for her love?
Or her well-deservings known
Make me quite forget my own?
Be she with that goodness blest
Which may merit name of Best,
If she be not such to me,
What care I how good she be?

'Cause her fortune seems too high,
Shall I play the fool and die?
She that bears a noble mind,
If not outward helps she find,
Thinks what with them he would do
That without them dares her woo;
And unless that mind I see,
What care I how great she be?

Great, or good, or kind, or fair,
I will ne'er the more despair;
If she love me, this believe,
I will die ere she shall grieve;
If she slight me when I woo,
I can scorn and let her go;
For if she be not for me,
What care I for whom she be?


First aired: 23 July 2008

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T Hood read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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Time of Roses
by Thomas Hood (1798 – 1845)

It was not in the Winter
Our loving lot was cast;
It was the time of roses—
We pluck'd them as we pass'd!

That churlish season never frown'd
On early lovers yet:
O no—the world was newly crown'd
With flowers when first we met!

'Twas twilight, and I bade you go,
But still you held me fast;
It was the time of roses—
We pluck'd them as we pass'd!

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W Wordsworth read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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Scorn not the Sonnet
by William Wordsworth (1770 – 1850)

Scorn not the Sonnet; Critic, you have frowned,
Mindless of its just honours; with this key
Shakespeare unlocked his heart; the melody
Of this small lute gave ease to Petrarch's wound;
A thousand times this pipe did Tasso sound;
With it Camöens soothed an exile's grief;
The Sonnet glittered a gay myrtle leaf
Amid the cypress with which Dante crowned
His visionary brow: a glow-worm lamp,
It cheered mild Spenser, called from Faery-land
To struggle through dark ways; and, when a damp
Fell round the path of Milton, in his hand
The Thing became a trumpet; whence he blew
Soul-animating strains--alas, too few!


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W Blake read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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London
by William Blake (1757 – 1827)

I wander thro' each charter'd street,
Near where the charter'd Thames does flow
And mark in every face I meet
Marks of weakness, marks of woe.

In every cry of every Man,
In every Infants cry of fear,
In every voice: in every ban,
The mind-forg'd manacles I hear

How the Chimney-sweepers cry
Every blackning Church appalls,
And the hapless Soldiers sigh
Runs in blood down Palace walls.

But most thro' midnight streets I hear
How the youthful Harlots curse
Blasts the new-born Infants tear,
And blights with plagues the Marriage hearse.



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O Wilde read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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San Miniato
by Oscar Wilde (1854 - 1900)

See, I have climbed the mountain side
Up to this holy house of God,
Where once that Angel-Painter trod
Who saw the heavens opened wide,
And throned upon the crescent moon
The Virginal white Queen of Grace, -
Mary! could I but see thy face
Death could not come at all too soon.

O crowned by God with thorns and pain!
Mother of Christ! O mystic wife!
My heart is weary of this life
And over-sad to sing again.

O crowned by God with love and flame!
O crowned by Christ the Holy One!
O listen ere the searching sun
Show to the world my sin and shame.

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S Coleridge read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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The Child
by Sara Coleridge (1802 – 1850)

See yon blithe child that dances in our sight!
Can gloomy shadows fall from one so bright?
Fond mother, whence these fears?
While buoyantly he rushes o'er the lawn,
Dream not of clouds to stain his manhood's dawn,
Nor dim that sight with tears.
No cloud he spies in brightly glowing hours,
But feels as if the newly vested bowers
For him could never fade:
Too well we know that vernal pleasures fleet,
But having him, so gladsome, fair, and sweet,
Our loss is overpaid.

Amid the balmiest flowers that earth can give
Some bitter drops distil, and all that live
A mingled portion share;
But, while he learns these truths which we lament,
Such fortitude as ours will sure be sent,
Such solace to his care.

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W Owen read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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Anthem for Doomed Youth
by Wilfred Owen (1893 – 1918)

What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
Nor any voice of mourning save the choirs, –
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles may be held to speed them all?
Not in the hands of boys but in their eyes
Shall shine the holy glimmers of goodbyes.
The pallor of girls' brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.



First aired: 6 September 2007

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A Marvell read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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A Garden: Written after the Civil Wars
by Andrew Marvell (1621 – 1678)

See how the flowers, as at parade,
Under their colours stand display'd:
Each regiment in order grows,
That of the tulip, pink, and rose.
But when the vigilant patrol
Of stars walks round about the pole,
Their leaves, that to the stalks are curl'd,
Seem to their staves the ensigns furl'd.
Then in some flower's beloved hut
Each bee, as sentinel, is shut,
And sleeps so too; but if once stirr'd,
She runs you through, nor asks the word.
O thou, that dear and happy Isle,
The garden of the world erewhile,
Thou Paradise of the four seas
Which Heaven planted us to please,
But, to exclude the world, did guard
With wat'ry if not flaming sword;
What luckless apple did we taste
To make us mortal and thee waste!
Unhappy! shall we never more
That sweet militia restore,
When gardens only had their towers,
And all the garrisons were flowers;
When roses only arms might bear,
And men did rosy garlands wear?

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C Patmore read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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The Toys
by Coventry Patmore (1823 – 1896)

My little Son, who look'd from thoughtful eyes
And moved and spoke in quiet grown-up wise,
Having my law the seventh time disobey'd,
I struck him, and dismiss'd
With hard words and unkiss'd,
— His Mother, who was patient, being dead.
Then, fearing lest his grief should hinder sleep,
I visited his bed,
But found him slumbering deep,
With darken'd eyelids, and their lashes yet
From his late sobbing wet.
And I, with moan,
Kissing away his tears, left others of my own;
For, on a table drawn beside his head,
He had put, within his reach,
A box of counters and a red-vein'd stone,
A piece of glass abraded by the beach,
And six or seven shells,
A bottle with bluebells,
And two French copper coins, ranged there with careful art,
To comfort his sad heart.
So when that night I pray'd
To God, I wept, and said:
Ah, when at last we lie with trancèd breath,
Not vexing Thee in death,
And Thou rememberest of what toys
We made our joys,
How weakly understood
Thy great commanded good,
Then, fatherly not less
Than I whom Thou hast moulded from the clay,
Thou'lt leave Thy wrath, and say,
'I will be sorry for their childishness.'



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A. O’Shaughnessy read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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from the Daughter of Herodias
by Arthur O’Shaughnessy (1844 – 1881)

Her long black hair danced round her like a snake
Allured to each charmed movement she did make;
Her voice came strangely sweet;
She sang: “ O, Herod, wilt thou look on me –
Have I no beauty thy heart cares to see ?”
And what her voice did sing her dancing feet
Seemed ever to repeat.

She sang:” O, Herod, wilt thou look on me ?
What sweet I have, I have it all for thee”.
And through the dance and song
She freed and floated on the air her arms
Above dim veils that hid her bosom’s charms:
The passion of her singing was so strong
It drew all hearts along.

Her sweet arms were unfolded on the air,
They seemed like floating flowers the most fair –
White lilies the most choice;
And in the gradual bending of her hand
There lurked a grace that no man could withstand;
Yea, none knew whether hands, or feet, or voice,
Most made his heart rejoice.

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W Shakespeare read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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Sonnet 130 My Mistress' Eyes
by William Shakespeare

My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red:
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask'd, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak,--yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go,
My mistress when she walks, treads on the ground;
And yet, by heaven, I think my love as rare
As any she belied with false compare.

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HW Longfellow read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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The Day is Done
by Henry Wadsworth Longfellow (1807 – 1882)

The day is done, and the darkness
Falls from the wings of Night,
As a feather is wafted downward
From an eagle in his flight.

I see the lights of the village
Gleam through the rain and the mist,
And a feeling of sadness comes o’er me
That my soul cannot resist:

A feeling of sadness and longing,
That is not akin to pain,
And resembles sorrow only
As the mist resembles the rain.

Come, read to me some poem,
Some simple and heartfelt lay,
That shall soothe this restless feeling,
And banish the thoughts of day.

Not from the grand old masters,
Not from the bards sublime,
Whose distant footsteps echo
Through the corridors of Time.

For, like strains of martial music,
Their mighty thoughts suggest
Life’s endless toil and endeavor;
And to-night I long for rest.

Read from some humbler poet,
Whose songs gushed from his heart,
As showers from the clouds of summer,
Or tears from the eyelids start;

Who, through long days of labor,
And nights devoid of ease,
Still heard in his soul the music
Of wonderful melodies.

Such songs have power to quiet
The restless pulse of care,
And come like the benediction
That follows after prayer.

Then read from the treasured volume
The poem of thy choice,
And lend to the rhyme of the poet
The beauty of thy voice.

And the night shall be filled with music,
And the cares, that infest the day,
Shall fold their tents, like the Arabs,
And as silently steal away.

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Lord Byron read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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All for Love
by Lord Byron (1788 – 1824)

O talk not to me of a name great in story;
The days of our youth are the days of our glory;
And the myrtle and ivy of sweet two-and-twenty
Are worth all your laurels, though ever so plenty.

What are garlands and crowns to the brow that is wrinkled?
'Tis but as a dead flower with May-dew besprinkled:
Then away with all such from the head that is hoary -
What care I for the wreaths that can only give glory?

O Fame! if I e'er took delight in thy praises,
'Twas less for the sake of thy high-sounding phrases,
Than to see the bright eyes of the dear one discover
She thought that I was not unworthy to love her.

There chiefly I sought thee, there only I found thee;
Her glance was the best of the rays that surround thee;
When it sparkled o'er aught that was bright in my story,
I knew it was love, and I felt it was glory.

First aired: 2 September 2007

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A Behn read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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Song from Abdelazar
by Aphra Behn (1640 - 1689)

To celebrate the birthday of Aphra Behn on this day - 10 July - in 1640.

Love in fantastic triumph sat,
Whilst bleeding hearts around him flow'd,
For whom fresh pains he did create,
And strange tyrannic power he shew'd;
From thy bright eyes he took his fire,
Which round about in sport he hurl'd;
But 'twas from mine he took desire
Enough to undo the amorous world.

From me he took his sighs and tears,
From thee his pride and cruelty;
From me his languishments and fears,
And every killing dart from thee;
Thus thou and I the God have arm'd,
And set him up a Deity;
But my poor heart alone is harm'd,
Whilst thine the victor is, and free.


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R Brooke read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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The Hill
by Rupert Brooke (1887 – 1915)

Breathless, we flung us on the windy hill,
Laughed in the sun, and kissed the lovely grass.
You said, "Through glory and ecstasy we pass;
Wind, sun, and earth remain, the birds sing still,
When we are old, are old. . . ." "And when we die
All's over that is ours; and life burns on
Through other lovers, other lips," said I,
-- "Heart of my heart, our heaven is now, is won!"

"We are Earth's best, that learnt her lesson here.
Life is our cry. We have kept the faith!" we said;
"We shall go down with unreluctant tread
Rose-crowned into the darkness!" . . . Proud we were,
And laughed, that had such brave true things to say.
-- And then you suddenly cried, and turned away.

First aired: 30 July 2007
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PB Shelley read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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The Indian Serenade
by Percy Bysshe Shelley (1792 – 1822)

Read in memory of Percy Bysshe Shelley, who died of drowning, 8th July 1822.

I arise from dreams of thee
In the first sweet sleep of night,
When the winds are breathing low,
And the stars are shining bright.
I arise from dreams of thee,
And a spirit in my feet
Hath led me—who knows how?
To thy chamber window, Sweet!

The wandering airs they faint
On the dark, the silent stream—
And the champak's odours fail
Like sweet thoughts in a dream;
The nightingale's complaint,
It dies upon her heart,
As I must on thine,
O belovèd as thou art!

O lift me from the grass!
I die! I faint! I fail!
Let thy love in kisses rain
On my lips and eyelids pale.
My cheek is cold and white, alas!
My heart beats loud and fast:
O press it to thine own again,
Where it will break at last!

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W Wordsworth read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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She was a Phantom of Delight
by William Wordsworth (1770 – 1850)

She was a Phantom of delight
When first she gleamed upon my sight;
A lovely Apparition, sent
To be a moment's ornament:
Her eyes as stars of twilight fair;
Like twilight's, too, her dusky hair;
But all things else about her drawn
From May-time and the cheerful dawn;
A dancing shape, an image gay,
To haunt, to startle, and waylay.

I saw her upon nearer view,
A Spirit, yet a Woman too!
Her household motions light and free,
And steps of virgin liberty;
A countenance in which did meet
Sweet records, promises as sweet;
A creature not too bright or good
For human nature's daily food,
For transient sorrows, simple wiles,
Praise, blame, love, kisses, tears, and smiles.

And now I see with eye serene
The very pulse of the machine;
A being breathing thoughtful breath,
A traveller between life and death:
The reason firm, the temperate will,
Endurance, foresight, strength, and skill;
A perfect Woman, nobly plann'd
To warn, to comfort, and command;
And yet a Spirit still, and bright
With something of an angel light.

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E Thomas read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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Adelstrop
by Edward Thomas ((1878 – 1917)

Yes. I remember Adlestrop —
The name, because one afternoon
Of heat the express-train drew up there
Unwontedly. It was late June.
The steam hissed. Some one cleared his throat.
No one left and no one came
On the bare platform. What I saw
Was Adlestrop — only the name

And willows, willow-herb, and grass,
And meadowsweet, and haycocks dry,
No whit less still and lonely fair
Than the high cloudlets in the sky.

And for that minute a blackbird sang
Close by, and around him, mistier,
Farther and farther, all the birds
Of Oxfordshire and Gloucestershire.

First aired 9 September 2007

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W Shakespeare read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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Sonnet 57 Being your Slave
by William Shakespeare (1564 – 1616)

Being your slave, what should I do but tend
Upon the hours and times of your desire?
I have no precious time at all to spend,
Nor services to do, till you require.

Nor dare I chide the world-without-end hour
Whilst I, my sovereign, watch the clock for you,
Nor think the bitterness of absence sour
When you have bid your servant once adieu;

Nor dare I question with my jealous thought
Where you may be, or your affairs suppose,
But, like a sad slave, stay and think of nought
Save, where you are how happy you make those!

So true a fool is love, that in your Will,
Though you do any thing, he thinks no ill.

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Sir J Suckling read by Classic Poetry Aloud:
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Dost see how unregarded now
by Sir John Suckling (1609 – 1642)

read to mark the death of Sir John Suckling on 3rd July 1642

Dost see how unregarded now
That piece of beauty passes?
There was a time when I did vow
To that alone;
But mark the fate of faces;
The red and white works now no more on me
Than if it could not charm, or I not see.

And yet the face continues good,
And I have still desires,
Am still the selfsame flesh and blood,
As apt to melt
And suffer from those fires;
Oh some kind pow'r unriddle where it lies,
Whether my heart be faulty, or her eyes?

She ev'ry day her man does kill,
And I as often die;
Neither her power then, nor my will
Can question'd be.
What is the mystery?
Sure beauty's empires, like to greater states,
Have certain periods set, and hidden fates.

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A Lord Tennyson read by Classic Poetry Aloud:
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Break, Break, Break
by Alfred, Lord Tennyson (1809 – 1892)

Break, break, break,
On thy cold gray stones, O Sea!
And I would that my tongue could utter
The thoughts that arise in me.

O well for the fisherman's boy,
That he shouts with his sister at play!
O well for the sailor lad,
That he sings in his boat on the bay!

And the stately ships go on
To their haven under the hill:
But O for the touch of a vanish'd hand,
And the sound of a voice that is still!

Break, break, break,
At the foot of thy crags, O Sea!
But the tender grace of a day that is dead
Will never come back to me.

First aired: 28 August 2007

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JB White read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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To Night
by Joseph Blanco White (1775 – 1841)

Mysterious Night! when our first parent knew
Thee from report divine, and heard thy name,
Did he not tremble for this lovely frame,
This glorious canopy of light and blue?
Yet 'neath a curtain of translucent dew,
Bathed in the rays of the great setting flame,
Hesperus with the host of heaven came,
And lo! Creation widened in man's view.
Who could have thought such darkness lay concealed
Within thy beams, O Sun! or who could find,
Whilst fly and leaf and insect stood revealed,
That to such countless orbs thou mad'st us blind!
Why do we then shun death with anxious strife?
If Light can thus deceive, wherefore not Life?


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L Carroll read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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Jabberwocky
by Lewis Carroll (1832 – 1898)

’T was brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.

“Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!”

He took his vorpal sword in hand:
Long time the manxome foe he sought —
So rested he by the Tumtum tree,
And stood awhile in thought.

And as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!

One, two! One, two! And through and through
The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.

“And hast thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!”
He chortled in his joy.

’T was brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.

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EB Browning read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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If Thou Must Love Me

by Elizabeth Barrett Browning (1806 – 1861)
Sonnets from the Portuguese iv

If thou must love me, let it be for naught
Except for love's sake only. Do not say,
'I love her for her smile — her look — her way
Of speaking gently,— for a trick of thought
That falls in well with mine, and certes brought
A sense of pleasant ease on such a day' —
For these things in themselves, Belovèd, may
Be changed, or change for thee — and love, so wrought,
May be unwrought so. Neither love me for
Thine own dear pity's wiping my cheeks dry:
A creature might forget to weep, who bore
Thy comfort long, and lose thy love thereby!
But love me for love's sake, that evermore
Thou mayst love on, through love's eternity.

In memory of Elizabeth Barrett Browning, who died this day, 30 June, in 1861.

First aired: 12 October 2007

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W Wordsworth read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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The Daffodils
by William Wordsworth (1770 - 1850)

I wander'd lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host of golden daffodils,
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the Milky Way,
They stretch'd in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced, but they
Outdid the sparkling waves in glee:—
A poet could not but be gay
In such a jocund company!
I gazed, and gazed, but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.


First aired: 17 October 2007

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Sir E Dyer read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/

Giving voice to the poetry of the past.

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My Mind to Me a Kingdom
by Sir Edward Dyer (d. 1607)

My mind to me a kingdom is;
Such present joys therein I find,
That it excels all other bliss
That earth affords or grows by kind:
Though much I want that most would have,
Yet still my mind forbids to crave.

No princely pomp, no wealthy store,
No force to win the victory,
No wily wit to salve a sore,
No shape to feed a loving eye;
To none of these I yield as thrall;
For why? my mind doth serve for all.

I see how plenty surfeits oft,
And hasty climbers soon do fall;
I see that those which are aloft
Mishap doth threaten most of all:
They get with toil, they keep with fear:
Such cares my mind could never bear.

Content I live, this is my stay;
I seek no more than may suffice;
I press to bear no haughty sway;
Look, what I lack my mind supplies.
Lo, thus I triumph like a king,
Content with that my mind doth bring.

Some have too much, yet still do crave;
I little have, and seek no more.
They are but poor, though much they have,
And I am rich with little store;
They poor, I rich; they beg, I give;
They lack, I leave; they pine, I live.

I laugh not at another’s loss,
I grudge not at another’s gain;
No worldly waves my mind can toss;
My state at one doth still remain:
I fear no foe, I fawn no friend;
I loathe not life, nor dread my end.

Some weigh their pleasure by their lust,
Their wisdom by their rage of will;
Their treasure is their only trust,
A cloakèd craft their store of skill;
But all the pleasure that I find
Is to maintain a quiet mind.

My wealth is health and perfect ease,
My conscience clear my chief defence;
I neither seek by bribes to please,
Nor by deceit to breed offence:
Thus do I live; thus will I die;
Would all did so as well as I!

For hundreds more poetry readings, visit the Classic Poetry Aloud index.

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EA Robinson read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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Eros Turannos
by Edwin Arlington Robinson(1869 – 1935)

She fears him, and will always ask
What fated her to choose him;
She meets in his engaging mask
All reasons to refuse him;
But what she meets and what she fears
Are less than are the downward years,
Drawn slowly to the foamless weirs
Of age, were she to lose him.

Between a blurred sagacity
That once had power to sound him,
And Love, that will not let him be
The Judas that she found him,
Her pride assuages her almost,
As if it were alone the cost.—
He sees that he will not be lost,
And waits and looks around him.

A sense of ocean and old trees
Envelops and allures him;
Tradition, touching all he sees,
Beguiles and reassures him;
And all her doubts of what he says
Are dimmed with what she knows of days—
Till even prejudice delays
And fades, and she secures him.

The falling leaf inaugurates
The reign of her confusion;
The pounding wave reverberates
The dirge of her illusion;
And home, where passion lived and died,
Becomes a place where she can hide,
While all the town and harbor side
Vibrate with her seclusion.

We tell you, tapping on our brows,
The story as it should be,—
As if the story of a house
Were told, or ever could be;
We’ll have no kindly veil between
Her visions and those we have seen,—
As if we guessed what hers have been,
Or what they are or would be.

Meanwhile we do no harm; for they
That with a god have striven,
Not hearing much of what we say,
Take what the god has given;
Though like waves breaking it may be,
Or like a changed familiar tree,
Or like a stairway to the sea
Where down the blind are driven.

For hundreds more poetry readings, visit the Classic Poetry Aloud index.

J Keats read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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When I Have Fears That I May Cease To Be
by John Keats (1795 - 1821)

When I have fears that I may cease to be
Before my pen has glean'd my teeming brain,
Before high pil'ed books, in charact'ry,
Hold like rich garners the full-ripen'd grain;
When I behold, upon the night's starr'd face,
Huge cloudy symbols of a high romance,
And feel that I may never live to trace
Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour!
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love;—then on the shore
Of the wide world I stand alone, and think,
Till Love and Fame to nothingness do sink.

First aired: 28 July 2007

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R Lovelace read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/

Giving voice to the poetry of the past.

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To Althea from Prison
by Richard Lovelace (1618 – 1657)

When Love with unconfined wings
Hovers within my gates,
And my divine Althea brings
To whisper at the grates;
When I lie tangled in her hair,
And fetter'd to her eye,
The gods, that wanton in the air,
Know no such liberty.

When flowing cups run swiftly round
With no allaying Thames,
Our careless heads with roses bound,
Our hearts with loyal flames;
When thirsty grief in wine we steep,
When healths and draughts go free,
Fishes, that tipple in the deep,
Know no such liberty.

When (like committed linnets) I
With shriller throat shall sing
The sweetness, mercy, majesty,
And glories of my king;
When I shall voice aloud how good
He is, how great should be,
Enlarged winds, that curl the flood,
Know no such liberty.

Stone walls do not a prison make,
Nor iron bars a cage;
Minds innocent and quiet take
That for an hermitage;
If I have freedom in my love,
And in my soul am free,
Angels alone that soar above,
Enjoy such liberty.

For hundreds more poetry readings, visit the Classic Poetry Aloud index.

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J Clare read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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Summer
by John Clare(1793 – 1864)

Come we to the summer, to the summer we will come,
For the woods are full of bluebells and the hedges full of bloom,
And the crow is on the oak a-building of her nest,
And love is burning diamonds in my true lover's breast;
She sits beneath the whitethorn a-plaiting of her hair,
And I will to my true lover with a fond request repair;
I will look upon her face, I will in her beauty rest,
And lay my aching weariness upon her lovely breast.

The clock-a-clay is creeping on the open bloom of May,
The merry bee is trampling the pinky threads all day,
And the chaffinch it is brooding on its grey mossy nest
In the whitethorn bush where I will lean upon my lover's breast;
I'll lean upon her breast and I'll whisper in her ear
That I cannot get a wink o'sleep for thinking of my dear;
I hunger at my meat and I daily fade away
Like the hedge rose that is broken in the heat of the day.

For hundreds more poetry readings, visit the Classic Poetry Aloud index.

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E Dickinson read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/

Giving voice to the poetry of the past.

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After Great Pain
by Emily Dickinson (1830 – 1886)

After great pain, a formal feeling comes –
The Nerves sit ceremonious, like Tombs –
The stiff Heart questions was it He, that bore,
And Yesterday, or Centuries before?

The Feet, mechanical, go round –
A Wooden way
Of Ground, or Air, or Ought –
Regardless grown,
A Quartz contentment, like a stone –

This is the Hour of Lead –
Remembered, if outlived,
As Freezing persons, recollect the Snow –
First – Chill – then Stupor – then the letting go –

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T Hardy read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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I Look Into My Glass
by Thomas Hardy (1840 – 1928)



I look into my glass,
And view my wasting skin,
And say, "Would God it came to pass
My heart had shrunk as thin!"

For then I, undistrest
By hearts grown cold to me,
Could lonely wait my endless rest
With equanimity.


But Time, to make me grieve,
Part steals, lets part abide;
And shakes this fragile frame at eve
With throbbings of noontide.


First aired: 15 June 2007

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E FitzGerald read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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from the Rubaiyat of Omar Khayyam
translated by by Edward FitzGerald (1809 – 1883)

I

Awake! for Morning in the Bowl of Night
Has flung the Stone that puts the Stars to Flight:
And Lo! the Hunter of the East has caught
The Sultan's Turret in a Noose of Light.

II

Dreaming when Dawn's Left Hand was in the Sky
I heard a Voice within the Tavern cry,
"Awake, my Little ones, and fill the Cup
Before Life's Liquor in its Cup be dry."

III

And, as the Cock crew, those who stood before
The Tavern shouted--"Open then the Door!
You know how little time we have to stay,
And, once departed, may return no more."

VII

Come, fill the Cup, and in the Fire of Spring
The Winter Garment of Repentance fling:
The Bird of Time has but a little way
To fly--and Lo! the Bird is on the Wing.

X
With me along some Strip of Herbage strown
That just divides the desert from the sown,
Where name of Slave and Sultán scarce is known,
And pity Sultán Mahmúd on his Throne.

XI

Here with a Loaf of Bread beneath the Bough,
A Flask of Wine, a Book of Verse--and Thou
Beside me singing in the Wilderness--
And Wilderness is Paradise enow.

XII

"How sweet is mortal Sovranty!"--think some:
Others--"How blest the Paradise to come!"
Ah, take the Cash in hand and wave the Rest;
Oh, the brave Music of a distant Drum!

XIII

Look to the Rose that blows about us--"Lo,
Laughing," she says, "into the World I blow:
At once the silken Tassel of my Purse
Tear, and its Treasure on the Garden throw."

XIV

The Worldly Hope men set their Hearts upon
Turns Ashes--or it prospers; and anon,
Like Snow upon the Desert's dusty Face
Lighting a little Hour or two--is gone.

XV

And those who husbanded the Golden Grain,
And those who flung it to the Winds like Rain,
Alike to no such aureate Earth are turn'd
As, buried once, Men want dug up again.

XVI

Think, in this batter'd Caravanserai
Whose Doorways are alternate Night and Day,
How Sultán after Sultán with his Pomp
Abode his Hour or two, and went his way.

For hundreds more poetry readings, visit the Classic Poetry Aloud index.

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T Moore read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/

Giving voice to the poetry of the past.

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The Last Rose of Summer
by Thomas Moore(1779 – 1852)

’Tis the last rose of summer
Left blooming alone;
All her lovely companions
Are faded and gone;
No flower of her kindred,
No rosebud is nigh,
To reflect back her blushes,
To give sigh for sigh.

I’ll not leave thee, thou lone one!
To pine on the stem;
Since the lovely are sleeping,
Go, sleep thou with them.
Thus kindly I scatter
Thy leaves o’er the bed,
Where thy mates of the garden
Lie scentless and dead.

So soon may I follow,
When friendships decay,
And from Love’s shining circle
The gems drop away.
When true hearts lie withered
And fond ones are flown,
Oh! who would inhabit
This bleak world alone?

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